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Elanco Corporate Video - Dutch Subtitles

El lanzamiento de la vacuna Avipro Salmonella VAC E de Elanco en Argentina, el 24 de octubre de 2016, contó con la participación de los principales nombres de la industria avícola y especialistas, entre ellos referentes de INTA, Senasa y Cepa.

Even developed cities like Indianapolis struggle with food insecurity, and Jeff Simmons shares the story of one family's battle. If we can eliminate hunger and ensure that the mind and body are well fed, people will do extraordinary things. Will you join us as we break the cycle of hunger?

Elanco Careers: The people here, and the ability to deliver innovative products to animals and vets, that's what I love about Elanco. Learn more from Technical Marketer Samantha O'Brien and her journey here at Elanco.

Looking for a new career opportunity? Do you want a job that creates value, opportunities, and fosters innovation and make the world a better place? Learn more from Chief Medical Officer of Alternative Innovation Dr. Edward McGruder about what keeps him energized about coming to work each day at Elanco.

Today’s poultry industry needs solutions that go beyond one size fits all. Elanco Animal Health’s new autogenous poultry vaccine manufacturing facility located in Winslow, Maine, provides customized solutions for unique disease challenges that are specific to each poultry operation. This video describes the autogenous customization process and its benefits to the poultry industry, discussing this state-of-the-art new facility with several leaders within Elanco.

Learn about MyElanco, your new online home for all your Elanco essentials. Watch the short animation for a quick guide on what’s on offer and how you can get started. MyElanco provides vets, vet nurses, SQPs and other animal health professionals with a range of online services to help with their day-to-day work, including product information, CPD, marketing materials and training resources.

This video and site are intended for a UK audience.

Esperanza Spalding - Vague Suspicions - Minneapolis - State Theater Sept 30th, 2012

From the Pioneer Press:

After opening with a brisk slice of jazz-funk, Scofield played a request - not from the audience, but from one of his sidemen. Before the show, drummer Gregory Hutchinson had asked Scofield to resurrect one of his older originals: "Still Warm," a ballad Hutchinson - then a high school student - had heard him play 20-some years ago.
The tune started out fairly mellow and increased in intensity as Scofield got into his solo, backed by some chunky rhythms laid down by Hutchinson, who's considered one of the top drummers of his generation.

The combo followed that with a hard-swinging version of the Dizzy Gillespie bebop standard, "Woody 'n' You."

Scofield's current group includes a semi-local connection: his pianist is North Dakota native Michael Eckroth, who also leads his own combo in New York City. Eckroth impressed the crowd with his solid soloing and comping behind the other players, on piano and organ.

Scofield also dipped into the Thelonious Monk songbook, with a version of "Hackensack," one of Monk's catchiest riff-based tunes. Hutchinson provided some spiky punctuation from his drum kit, in a bold style evocative of the great Roy Haynes.

Scofield's newest CD is a collection of ballads called "A Moment's Piece." He played one tune he composed for that album, called "Simply Put."
Scofield showed his funky side with another original, "Slinky,"After opening with a brisk slice of jazz-funk, Scofield played a request - not from the audience, but from one of his sidemen. Before the show, drummer Gregory Hutchinson had asked Scofield to resurrect one of his older originals: "Still Warm," a ballad Hutchinson - then a high school student - had heard him play 20-some years ago.

The tune started out fairly mellow and increased in intensity as Scofield got into his solo, backed by some chunky rhythms laid down by Hutchinson, who's considered one of the top drummers of his generation.
The combo followed that with a hard-swinging version of the Dizzy Gillespie bebop standard, "Woody 'n' You."

Scofield's current group includes a semi-local connection: his pianist is North Dakota native Michael Eckroth, who also leads his own combo in New York City. Eckroth impressed the crowd with his solid soloing and comping behind the other players, on piano and organ.

Scofield also dipped into the Thelonious Monk songbook, with a version of "Hackensack," one of Monk's catchiest riff-based tunes. Hutchinson provided some spiky punctuation from his drum kit, in a bold style evocative of the great Roy Haynes.

Scofield's newest CD is a collection of ballads called "A Moment's Piece." He played one tune he composed for that album, called "Simply Put."
Scofield showed his funky side with another original, "Slinky," which features a 5/4 rhythm reminiscent of Dave Brubeck's "Take Five." The guitarist turned up the volume for some sustained Jimmy-Page-style blues bending and some percussive string-scratching. Then he closed the opening set with a carefully-phrased rendition of another ballad, "My Foolish Heart," a tune popularized back in the swing era by singer Billy Eckstine.
Dan Emerson is a freelance writer and musician in Minneapolis.
which features a 5/4 rhythm reminiscent of Dave Brubeck's "Take Five." The guitarist turned up the volume for some sustained Jimmy-Page-style blues bending and some percussive string-scratching. Then he closed the opening set with a carefully-phrased rendition of another ballad, "My Foolish Heart," a tune popularized back in the swing era by singer Billy Eckstine.

Written by: Dan Emerson is a freelance writer and musician in Minneapolis.

Malemolencia - Dakota Jazz Club- Minneapolis, MN - April 10th, 2010

What song is this?

Lau Hawaiian Collective plus Glass Harp player at the Black Dog Cafe in St. Paul - January 20th, 2012

Céu - Lenda - Dakota Jazz Club- Minneapolis, MN - April 10th, 2010

Live Review: Tinariwen at Minneapolis' Cedar Cultural Center (11/26)

BY HARLEY BROWN ON NOVEMBER 27TH, 2011 IN
There are, literally, almost no words to describe Tinariwen's performance at Minneapolis' Cedar Cultural Center. The Malian Tuareg band members only speak their native language, Tamashek, and French, so guitarist/vocalist Abdallah Ag Alhousseyni optimized his limited English by repeatedly asking, "Is okay? Ca va?" It was more than okay: Tinariwen's transfixing, timeless fusion of American classic rock and blues with traditional sub-Saharan protest songs garnered three encores, perhaps because this was Tinariwen's last stop on its North American tour (or, perhaps, they included one for each decade the band has been playing).

The Cedar, which often hosts international musicians, was the perfect venue for this multicultural lineup. Swiss songstress Sophie Hunger opened, backed by a trombonist—and occasional chest-thumping percussionist—and an acoustic guitarist. Whether on keyboard, solo vocals, or guitar, she produced a melodic blend of folk, vaudeville, and 1920′s speakeasy jazz. Her fluid segues between German, French, and English were admirable, as were her band's multifaceted, tight musicianship and her version of Bob Dylan's "I Shall Be Free No. 10" sung as "Sophie Hunger Blues".

When Tinariwen took the stage, the room's energy palpably increased, and the ience's collective heart rate started racing. Here was a legendary group of African musicians who formed in Tuareg rebel camps in the 1970s, many of whom later fought in Libya and Mali's civil conflicts. Tinariwen couldn't even record its latest album, Tassili, in Mali, because the political situation there is still too precarious. Bandleader Ibrahim Ag Alhabib, who took the stage six songs into the set to perform Tinariwen's newest material, exhibited this world-weariness in his sad brown eyes and slow, deliberate movements. Tracks like "Aden Osamnat" and closer "Imidiwan Ma Tennam" smoldered live, more electrifying than Tinariwen's older material, even though Tassili was a noted departure from the band's plugged-in sound. On the slow, sweet "Walla Illa", Hunger returned to the stage, taking over backing vocals sung by TV on the Radio's Tunde Adebimpe and Kyp Malone on the record.

For the second encore, one of the band members took the stage with a shepherd's flute before the rest of the band joined him in a hair-raising, droning vocal canon. It more than prepared the audience for Ag Alhabib's awaited return to the stage for the third encore. He thanked the audience effusively in French before bringing the rest of Tinariwen onstage to close out the night.

Originally published at:
http://consequenceofsound.net/2011/11...

Chastity Brown @ The Varsity Theater - December 18th, 2011
Great voice and great music in MPLS!

Four songs
1.This Time It's Real,
2.So Very Hard to Go
3. What Is Hip
4. Maybe It'll Ruboff

Tower Of Power - Dakota Jazz Club 12.10.2011